Location-based messaging: digital conversations in the real world

Museums have embraced QR codes and AR (augmented reality) in some pretty amazing and engaging ways. You can travel back in time, explore cities through an artist’s artwork and pivotal stories, or engage with beloved museum mascots. We can scaffold and layer content in really fantastic new ways. That said, even those that have wowed me have been largely didactic and one-way.

…you see a QR code on a label, you scan it, you get more or deeper content.

…you use an AR app and see an incredible image of historic London superimposed on your present-day view.

It’s cool; no doubt about it. But the social interaction, dialogue, and conversation happening– if it’s happening at all– occurs as asides (“hey– check out this cool app”) or maybe through linking to social networks to post thoughts and reactions.

Something is missing. The real dialogue. Where are we acknowledging the value of all voices, not just the museum voice? What avenues are there for shared learning? Where is the storytelling, questioning, and creating?

The emerging trend of location-based messaging services may be an answer to what’s missing. One with real applications for museums and culturals is Repudo, which the Dutch company self-defines as “the world’s first platform to handle digital objects in the real world.”

Repudo facilitates a place-based “drop” of digital multimedia (text, photos, videos, audio messages) at locations of your choice. For example, you can drop a video of a paleontologist talking about a mastodon bone at the site where the bone was discovered. You have to go there in person to pick it up. Repudo uses a GPS-linked map with message locations tagged; once a Repudo is picked up it disappears from the map. It’s now on your smartphone and only you can decide what to do with it. Keep it or drop it somewhere new for someone else to find. You can specify a recipient or it can be for anyone who stumbles upon it. Repudo creates the “perception of physical interaction with digital objects in the real world.”

Think about the applications. Sure, sure.. we could use it for scavenger hunts or audio tours (yawn)… or we could do something really different. We could drop a recorded thank you message from the museum Director at a donor’s favorite restaurant (even better if the Director picks up the tab!), or a coupon for free admission left at a bus stop in a part of town typically underrepresented in your visitorship. It can be highly personal. What’s better? Anyone with the free app could do the same in reverse– drop a note about something they’d like to see improved, a question for a curator, a photo of their favorite  local street art, a song they recorded. That’s how it’s different. It changes the nature of the interaction and creates dynamic possibilities, including channels for two-way conversations that grow and build.

Want to give Repudo a try?

Leave a comment on this post and let me know where you want me to drop something. Maybe at your local coffee shop, your museum, or the park by your house. You tell me where and I’ll surprise you. You can download the app for iPhone, Android, and Blackberry. And hey– feel free to leave something for me in Denver too.

I’ll relay this final piece– all of the above can be done without Repudo, without mobile tech, and without big budget. It combines previous ExposeYourMuseum themes of random acts of kindness, customization, taking online offline, street teams, and cornershop culturals. How will you put this into practice?

Cornershop Culturals: outside our walls and into theirs

Call it a “trend,” but it’s really just the right thing to do.

Many organizations and agencies in the public eye– including some embedded deep in historical constructs and often perceived as inaccessible, archaic, even corrupt–   are striving to demystify their work and become more transparent.

The Seattle Police Department recently sent 12 hours of emergency calls to their followers over Twitter, showcasing “a day in the life of the Seattle Police.” The department was experimenting with new ways to engage with the public and be more open about the role they play in their community.

Similarly, San Francisco mayor Gavin Newsom announced earlier this year that San Francisco residents can now send messages to their city government about anything from for street cleaning and potholes to garbage can maintenance via Twitter.

My favorite example of this is a very non-social media approach.

The Winnipeg Free Press (Canada) opened a café/annex where 3 staff members (journalists and editors) work, giving the public direct access to newspaper staff. Not only does the café offer locally sourced, organic food, it encourages community engagement and dialogue– including special events like book readings, live music, and a place to watch election results come in in real-time. Reporter Lindsey Wiebe says “it’s about turning the organization outwards.”

There are a lot of cool things you can say about the Winnipeg Free Press News Café: it’s visible, accessible, unexpected, transparent, and a window into something even regular newspaper readers don’t get to see. (And, of course, it’s all of that plus a place to grab lunch and a cup of coffee. This multi-purpose functionality, similar to the recent expose.your.museum post about laundry, makes it a part of and not separate from daily life.)

What could a public annex look like for your museum?

Would you co-brand it to match your cultural… or would it be totally different?

Similar to a pop-up or a mobile museum, this extends our thinking beyond the constraints of set physical space and positions us instead as part of larger landscapes and broader community. But this is very different than a pop-up or a mobile museum. It’s not an exhibition. It’s about the staff, the organization, the work we do.

Who would work there? You marketing team? Program staff? A wikipedian-in-residence? Your director? (Maybe not preservation or curatorial staff… but maybe! I’m totally volunteering if my museum does this, by the way.)

What else would you offer? Participatory facets– like voting on current news stories to be addressed at your science center, or what person in local history has most influenced your town? Would there be games, a bookstore, music, events… or just a quiet cup of coffee?

Don’t have the cash for a coffee shop in your city center? What about sub-letting or squatting in existing spaces? You could try a local elementary school, or a booth at a community event, a fair, or a festival. Or maybe you join with other local cultural institutions and alternate months. Less committed? One day a month you could have a member of staff working out of local coffee houses; sort of rotating mobile office. Advertise it on Facebook and Twitter.

Chicago’s Museum of Science and Industry (MSI) has “Month at the Museum” (first Kate, now Kevin)– an incredible experience exposing a non-museum person (and, by extension, the whole world) to an all-access, behind-the-scenes look at MSI… but what if you turned that inside-out?

What might some time outside the museum do for those of us who are so regularly bound within one?

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Thanks to Springwise (yet again!) for inspiration this week.
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